Hugo, a high school student from a village, at an age where one doesn't think much of one's image, opens up to the world thanks to rap.

A young photojournalist in the city of Veracruz, Mexico, will risk his life to dig up a shocking truth after picking up the investigation that his journalist friend and mentor left unfinished when getting killed by the organized crime.

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We don't have an overview translated in English. Help us expand our database by adding one.

Lubos, an Alpine rescue worker, surprises his delighted daughter Amálka with an early return to Prague. Her joy leads her to skip school, prompting Lubos to join her class on a Tatra mountains trip. Amidst family chaos and comedic mishaps, their reunion hangs in the balance.

There’s much more to a crocodile than terrifying jaws and spectacular ambush attacks. As one of the stealthiest predators in the natural world, more than half its life is spent hidden, underwater. We join a dive expedition in the Okavango Delta to discover its true – and unexpected nature.

Three men and a woman from a city in the south of France made a pact as teenagers to never forget that they were children of the poor.

Les Cent Livres des Hommes (ORTF, 1969-1973) was a series of literary programs created by Claude Santelli and Françoise Verny, and produced notably by Santelli, Jean Archimbaud, and Serge Moati. Planned for one hundred episodes but completed at thirty-nine, the series aimed to introduce great literary works, 'chefs-d’œuvre', to a younger audience through a mix of dramatization, reading, and documentary techniques. It marked a transfer of cultural legitimacy from writers and critics to a generation of television producers, offering a new model of educational and creative literary broadcasting - 'télévision d’auteur'.

The invention of censorship, which dates a few years later than the invention of cinema, pushed smutty films to go underground which is synonymous with total freedom, since banned, erotic films could become fully pornographic. 　　Banned but still produced, filmed and especially shown, these films are called “from brothels”, as some were shown in smoking and waiting rooms of brothels. It is there, or in private collections, that they went through the 20th century, waiting for the explosion of the 1970s — and the legalization of the pornographic genre. 　　Usually anonymous (and rightly so!), difficult to date, these films pave the way of this genre (minimised preliminaries, light screenplays, compulsory figures, limited duration of films…), and at the same time carrying some specific features: sometimes humour (Sœur Vaseline) and more often, a sort of… innocence, that of the all first times.